006 The Catwalk, the Car Thief, and the Bacon Sandwich

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The Strike a Light Podcast
006 The Catwalk, the Car Thief, and the Bacon Sandwich
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… or, Do We Really Need to Light Up the Night?

Reflecting on my own nocturnal escapades, I recall numerous occasions when the debate over the necessity of night lighting became particularly personal. Picture this: stumbling in the pitch black, narrowly avoiding collision with an unexpectedly placed planter. This oft-repeated tale leads us to a broader discourse in our industry: How much light is too much, and can we ever strike the ideal balance?? Truth be told, our love affair with lighting has sometimes cast our nights into a synthetic brightness, chasing the shadows away at a cost we might not fully appreciate.

Enter our latest chinwag on the podcast, where Chris and I delve into this age-old issue. We’re exploring the intersection of necessity, vanity, and sustainability in nighttime lighting. With local authorities flexing their regulatory muscles and the environmental impact starting to niggle at our conscience, it’s time we asked: do we truly need light at night or have we created an artificial dependency? Lighters all, it’s a conversation that might just illuminate your thinking…

Podcast name: “The Strike a Light Podcast”
Hosts: “John Bullock & Chris Fordham”
Produced by: “Duncan Smith for The Light Review”
Episode number: 6

Well, hello everyone again. This is Strike A Light podcast from The Light Review. My name’s John Bullock. I’m here with our good friend Chris Fordham. And we are going to look at the knotty question of whether we really need light at night.

Episode Summary

Is it a necessity or a nuisance? John and Chris embark on a spirited discussion about the role of light in our nocturnal lives, questioning the balance between comfort and overkill. From rural lanes to urban sprawls, they dissect the sometimes absurd extremes of our illuminated nights. The episode probes into whether we’ve been blinded by our own creations, scrutinising the pervasive belief that more light equates to greater safety.

The duo also touch on lighting as a status symbol, a beacon of vanity that often leaves energy efficiency and environmental responsibility in its shadow. As they navigate through anecdotal tales and industry perspectives, John and Chris challenge the listener to rethink what truly constitutes “necessary” lighting during the darker hours.

Key Takeaways You’ll Hear in This Episode:

  • Balance Between Light and Dark: Discover why the perfect mix of light and darkness might just be the key to harmonising our nightscapes.
  • Vanity Lighting: Unpack the debate on lighting as a statement, and whether it’s worth the environmental cost.
  • Smart Lighting Solutions: Explore futuristic ideas like proximity sensors, and why they haven’t become mainstream (yet).
  • Gender Perceptions: Delve into the unexpected gender bias in street lighting design and its real-world implications.
  • Rethinking Standards: A call to review and possibly rewrite the standards that govern our public lighting.

The Simple Fix

The consensus? Start from absolute darkness and carefully introduce incremental light only where it’s truly necessary. It’s about crafting a balanced environment that nurtures both humanity and nature without drowning in a sea of artificial light. John and Chris argue for a smarter, more thoughtful approach to night lighting design, one that respects the planet while serving the people.

🎧 Listen to the full episode above to hear the complete breakdown…


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Subscribe to the Strike a Light Podcast for more enlightening discussions. For more honest, expert insights into the lighting industry, visit The Light Review online.

About the Hosts

John Bullock

John Bullock

John Bullock is the editor of The Light Review

Chris Fordham

Chris Fordham

You can contact Chris at cf@thelightreviewonline.com His lighting design website address is www.limelumen.co.uk “‘Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity’ ” — Le Corbusier. 'Vers une architecture' [Towards a new Architecture] (1923)

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