Chris Fordham

You can contact Chris at cf@thelightreviewonline.com
His lighting design website address is www.limelumen.co.uk
“‘Architecture is the masterly, correct and magnificent play of masses brought together in light. Our eyes are made to see forms in light; light and shade reveal these forms; cubes, cones, spheres, cylinders or pyramids are the great primary forms which light reveals to advantage; the image of these is distinct and tangible within us without ambiguity’ ”
— Le Corbusier. 'Vers une architecture' [Towards a new Architecture] (1923)

Light Creators: Liz West

Liz West is British visual artist, famous for site specific artworks, sculpture and immersive light art installations. The exhibition is called ‘LUCE’ and is framed as a conversation between two UK based artists, (the other being the artist Jemma Appleby) and ‘Their exploration of the intricate relationship between architecture, light, and the human responses these

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Design Guild Mark for Lighting in 2020. Here’s your chance to enter!

Here at the Light Review we just love shouting (writing!) about great design, so when we heard that the prestigious Design Guild Mark was going to include a category for Lighting for the first time, we just had to have a find out a little more. For those of you who have not come across

Design Guild Mark for Lighting in 2020. Here’s your chance to enter! Read More »

Olafur Eliasson: ‘In real life’ at Tate Modern, London

Chris Fordham writes: Light has played an important role in art over the ages, all the way from Caravaggio; famous for his use of contrast for the sake of drama, to contemporary artists Dan Flavin and James Turrell, the later believing that “Light is not so much something that reveals, as it is itself the

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Clerkenwell Design Week 2019: on the streets

Chris Fordham wanders the romantic streets of Clerkenwell on behalf of The Light Review. “When in this area of London, and whilst walking around the streets for Clerkenwell Design Week, I often reminisce on Clerkenwell workshops, which I first came across in 2003 whilst visiting a friends design practice (Temple Works). With oily overalls hung

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